I examine the mediated mark in three-dimensional space. Expanding on the lexicon of gestural and geometric abstraction, I deploy a variety of synthetic materials in site-responsive, primarily temporal installations that invade, interpret and confound the architecture containing them. I mean to construct a kind of meaty ephemerality—an accretion of marks and their shadows delineating maelstroms of visual commotion; a teeming, jittery, torqued expanse of perceptual and psychological incident.