I examine the mediated mark in sculptural space; my strategy is to subvert its conventional autographic associations. To that end, I deploy a variety of synthetic materials in site-responsive, primarily temporal installations that invade, interpret and confound the architecture containing them. I mean to construct a kind of meaty ephemerality—an accretion of lines and their shadows delineating a noirish landscape of visual commotion; a teeming, jittery, torqued expanse of perceptual incident and psychological dis-ease.