examine the mediated mark in sculptural space; my strategy is to
subvert its conventional autographic associations. To that end, I deploy a
variety of synthetic materials in site-responsive, primarily temporal
installations that invade, interpret and confound the architecture containing
them. I mean to construct a kind of meaty ephemerality—an accretion of lines
and their shadows delineating a noirish landscape of visual commotion;
a teeming, jittery, torqued expanse of perceptual incident and psychological dis-ease.